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The new work Idan Cohen flirts with a variety of themes, around which he defines as the eighties. From the mid-eighties dryers (average dryers for the calculation of coarse) and now thirty years have passed. Choreographic work does not stand or fall on the exact design of the set, or the styling. The work should formulate ways to make present major themes and artistic means central theme, as evidenced on the stage is the subject of gender. Subject Mtkil especially.
A cluster of five Msttfim- two men, three inferences enters the stage in unison slow and often clenched into fists as if to conquer inner turmoil on the one hand, and swing arms muscular macho gesture, dryers that is, men, on the other. Symbolic gesture and too predictable. dryers This scene and those that followed, no language development has unique characteristics, either in composition or dynamic development. It seems a lot of attention directed various attempts to be perceived gender stereotypes and really examine them thoroughly.
Shoot a gun in the first act in the third act. High Heels on stage to varying degrees, likely will be locked by the participants. Part petted with Sidrom fetishistic, have to wait a bit before closing. Frustrated young girl pulling strap from a videotape of time. She makes it a long story, perhaps to understand slowly dryers that Eighties. (Latecomers, even Veniitiz). Is she slaughters the pop music of the time? Is it consumes rage elapsed time marks on her face? Is the cassette is punished for what she reminds her? And Eighties supposed dryers to call room design with pink ribbons and photographs of surface models such as 'woman'. dryers Apparently this man's dryers room looks macho but he did not. Apparently, he tends to hide his sexual orientation. Is that why he deserves punishment? Comes that will throw it against the wall, politely ?, of course politely, and attach the cheek poster pink tape recorder. And if that were not enough, wrap it in close-up shots of the female breast and male chest and head drape cardboard like a chef's hat and join it all up to look like a faceless scarecrow made by a work group.
As choreographers lacked basic tools here to stratify the messages, the work seemed listless and lacking too much. Even if some participants are able to spend much of themselves, their abilities were not expressed using existing materials. They looked weak and of little interest to speak of, except maybe the dancer dryers who won more- versatile accessory lipstick which produced the most, from the point inside the body to use suggestive sexual virtuoso lipstick.
Idan Cohen, (as part of full disclosure I will say only that I have affection for him already) did not find a way to deal with issues chosen the right tools. If there B'g'ndr Bender, autobiographical materials and sediments of pain, then none of it is expressed. In any case the failure of the work is not the point of origin can be expressed dryers verbally, but the ability to use the tools Koreografiim to express them. January 9th, 2014 in category Review, reviews.
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